Fresh Voice: Sarah Allen!

"we do not believe in ourselves until someone reveals that deep inside us is valuable, worth listening to, worthy of our trust, sacred to our touch. once we believe in ourselves we can risk curiosity, wonder, spontaneous delight or any experience that reveals the human spirit." - E.E. Cummings

Welcome to the latest edition of Fresh Voices. We are delighted to share with you the fresh, joyful, and inspiring voice of Sarah Allen.

What is your ultimate writing goal?

My first goal is to be published, but I feel like that’s only the beginning. I think it would be amazing to win all kinds of awards, make the New York Times best seller list, etc. As far-fetched and idealistic as that sounds, I think every writer wants that for themselves. I love hearing what people have to think about my work, so having any kind of following to communicate with would be amazing. I also am interested in working with all kinds of genres, so although I will mostly be working in novel form, I’ve been sending out poetry, short stories and essays, and the plan for my next big project is screenplay. In the future I may even try lyrics. But, you know, first things first…I need to actually finish my book for it to be published.

Why do you write?

I feel like if I didn’t write, I wouldn’t be me. It seems so natural that writing is what I do. Great art has a huge impact on me, and I would love to work and hone my craft enough to be able to influence someone in the same way.

Your blog writing has an effervescence to it. Have you worked to achieve that voice or is it just a natural style for you?

Thank you very much! I definitely have to say that if my writing as any effervescence to it, it is just the way I write. That word so accurately describes the way I am and my outlook on life that I don’t think I would be able to take it out of my writing. If I got it from anywhere, I got it from my mother; she is one of the most passionate, lively, interested people I know.

Who are your favorite authors and why do you like them?

This question is impossible to answer completely, of course, but here are a few writers who I think have directly influenced my writing style.

Connie Willis: I have never written any speculative fiction, as of yet, but Connie Willis’ personable, human, somewhat humorous tone is one that I enjoy immensely and try to use in a lot of my work. If you haven’t read her book ‘Bellwether’, you’re missing out.

Jane Austen: I don’t think I match her so much in tone as in interest and story. I don’t usually write grand, sweeping plots, so much as intimate stories about relationships. Like Jane.

Ernest Hemingway: I really like Hemingway’s distant, journalistic style. I think my style may be a little more personal than his, but his almost apathetic tone is really effective at least for me, and has definitely pulled me in that direction. Which I think is a good thing, considering I have a tendency towards over-sentimentality.

Neil Simon: I have been involved in theater my whole life, and the majority of the good monologues I’ve used for auditions, classes, etc, have come from him. I think we are very similar in story and tone, and when I write script, he is my inspiration.

Other writers that I love: Shakespeare, J.K. Rowling, Orson Scott Card, Billy Collins, W.B. Yeats, Stephen King, C. S. Lewis, Charles Dickens.

What most attracts you to the life of a writer?

I love talking about literature, so I think conferences, lectures, readings, etc., would be something I would enjoy very much. I love travelling, so I would enjoy doing book tours. I love online social networking, and that can be very effective as a book marketing strategy. As for writing itself, the process can be frustrating, but overall it is incredibly rewarding.

If you couldn't be a writer but knew you were guaranteed success at a different career, what would you choose?

Acting. Definitely. After writing a New York Times best-seller, my next chimerical dream is to win an Academy Award. Having said that, as much as I love theater, I still feel like writing is intrinsically part of my life, and what I am meant to do.

If you had to describe your writing in one word, what would that word be?

Chimerical. Effervescently.

What's the best writing advice you've ever gotten?

My high school creative writing teacher used to tell us that whereas in real estate the key is ‘location, location, location,’ the key for writing is ‘details, details, details.’ I am always trying to bring my writing out of the abstract and into the concrete, and it makes such a positive difference. Detail can most definitely be the difference between good and great writing.

About Sarah: 

I’m a senior at Brigham Young University in Provo, Utah, majoring in English. I’m a Mormon. I am obsessed with movies, theater, and television and like almost nothing more than brilliant acting. If I’m not reading or writing, I’m watching or acting and I would rather spend the weekend watching movies with good friends and good food then going to a party. My favorite kind of dog is a cavalier king charles spaniel. I like rain better than sun and I own all eleven seasons of Frasier.

In closing, what's a good example of your writing that you would like
to share with us?

First off, here’s a link to my creative writing blog which I post to frequently. I write about the writing process and things that creatively inspire me, and any comments and ideas would be wonderful. Also, I had a poem published in Inscape, BYU’s literary magazine, called Pet Diaries and a 100 word flash fiction story called Diamonds Are that I got to read on the BYU “Word of Mouth” podcast. I am also very active on Twitter.

Thank you for reading this edition of Fresh Voices. Feel free to follow the Fresh Voices list on Twitter or nominate yourself or another author as a Fresh Voice.

Fresh Voice: Jeremy Warach!

"we do not believe in ourselves until someone reveals that deep inside us is valuable, worth listening to, worthy of our trust, sacred to our touch. once we believe in ourselves we can risk curiosity, wonder, spontaneous delight or any experience that reveals the human spirit." - E.E. Cummings

Welcome to the first in our series of interviews with unpublished authors, Fresh Voices. It is fitting that Jeremy is the first writer featured since reading his vignettes were the thing that convinced us that we really NEEDED to do this series. We're sure that you will love Jeremy's voice as much as we do. You will find links to his fiction at the bottom of the interview.

What is your ultimate writing goal?

I have to say that I don't really know what my ultimate goal would be. Or perhaps I have a number of goals. For now, I would love to see a print journal publish one of my stories. Eventually, I would hope to have a novel published which is actually read and enjoyed by people. But first I would have to finish a novel. (Finish writing one, that is. I've finished reading two or three throughout my life.)

Why do you write?

I think I write because I've always had a voice in my head telling me, "That's something you can do." I don't listen to everything that the voices in my head tell me, but that's one of the things that have seemed pretty reasonable.

Your writing has a lot of atmosphere. Have you worked to achieve that or is it just a natural style for you?

The things that I've put up on my blog site warach.com are basically exercises. Throughout my life, I've started and abandoned many stories that I got stuck on (I have even written forty thousand words of a novel which I orphaned when I ran out of steam and enthusiasm for the story).

Starting and giving up on stories was very disheartening. But I found that I often had these little scenes or settings or just phrases pop into my head which sounded like they would be fun to write, so not very long ago, I decided that I would write them out just as isolated fragments of stories. No context, no character development, very little plot, and certainly no climax or conclusion: just vignettes. The intention was to simply set a scene descriptively. I also like giving them little cliffhanger-type endings, intentionally leaving the reader asking "but what happened next?" or "why did that happen?"

The decision to write these vignettes is what has kept me interested in writing. And in a way, they have propelled me further. An online friend who is a published author (Elissa Stein, coauthor of "Flow: The Cultural Story of Menstruation", see flowthebook.com) read my pieces and asked me to collaborate with her on a series of children's fiction books. Having a collaborator waiting for me to finish a piece of work was what gave me the incentive to actually muscle through and finish the initial draft of the story. And the rewarding feeling of finishing that initial draft is what gave me the impetus to continue writing. I have now completed a few more stories that I've submitted here and there for consideration.

Another encouraging person was Cristina Deptula from Synchronized Chaos (synchchaos.com, an interdisciplinary artist's webzine), who published one of my vignettes at http://bit.ly/bEvOzE. Having someone like my work enough to actually ask me if she could publish it was very gratifying.

Who are your favorite authors and why do you like them?

I always have a problem with the word "favorite". In whatever realm being considered (authors, movies, music, food), I always have multiple favorites, and my favorites change over time or depending on my mood.

When I was younger, I was heavily into science fiction (I'm a nerd and proud of it). I devoured most of Isaac Asimov's novels, as well as many of those by Arthur C. Clarke, Robert Heinlein, Vernor Vinge, Poul Anderson, Larry Niven. I also love Tolkien, although I'm not a hardcore fantasy reader.

Later I read a few of the classics, like Dostoevsky and Moby Dick. (I can still remember a conversation with someone who asked me, "Why are you reading Moby Dick?" My answer of "Because it's a classic so I wanted to see how good it was" just confused her.)

In recent years, I've been reading more historical fiction and what I guess would be called "literary fiction". Umberto Eco, Iain Pears, David Liss, Arturo Pérez-Reverte. Most recently, Carlos Ruiz Zafón has just blown me away with the way he strings words together (at least in translation – I don't read him in the original Spanish).

I also enjoy reading science fact. I can get completely drawn in by a book on evolution or cosmology or quantum physics. Seriously.

What most attracts you to the life of a writer?

I don't know that I'm attracted to the life of a writer. Toiling for hours, days, weeks, months on a piece of work that people may dislike, or worse, completely ignore, certainly doesn't sound very attractive.

It is the end product that attracts me. Having a finished piece of work (as finished as a piece of writing ever is), published by someone who believes in it, read by people who enjoy it. That's what I look forward to.

If you couldn't be a writer but knew you were guaranteed success at a different career, what would you choose?

That's easy: musician. I've dabbled in music throughout most of my life, and I played in a few bands over the last several years, but I am at best mediocre at it. And I learned that being in a band is work, as well as being drama-filled. Once it stops being fun, I see no reason to continue with it. But if I knew I could make a good living at it and be happy with the situation, that would be a dream job.

If you had to describe your writing in one word, what would that word be?

I hope that an accurately descriptive term for my writing is "anti-soporific".

What's the best writing advice you've ever gotten?

I've read a lot of good advice about writing. Some of the best advice even completely contradicted some of the other best advice ("Use outlines" versus "Don't use outlines". "Be very descriptive" versus "Be very plain". "Don't use parentheticals" versus "No, really, don't ever use them".)

What I've distilled out of all of that, for myself, would be something along the lines of: To be a writer, you must read (and you must read like a writer). To be a writer, you must write. Every day, even if it's just two sentences. I try not to edit very much as I'm going along. Editing while writing was one of the things that used to get me into a paralysis and prevent me from making any progress.

"Write what you know about." I didn't take this to heart for a long time. Since I was heavily into science-fiction for many years, my first (and second and third) attempts at writing were in that genre. But one thing about science-fiction readers is that they're sticklers. You have to get the science right. Even if it's science that you're making up, your stuff has to at least be feasible and consistent. If you're going to defy the known laws of physics, you'd better have a good rationalization for how and why that works.

When I tried writing sci-fi, I got bogged down in the details and distracted, endeavoring to make everything work, and the writing just wouldn't happen. ("How fast would a space station have to rotate to provide the same gravity as on the surface of the Earth?" Turns out that someone actually posted a calculator on their website to figure that out for you.)

Fiction which takes place in a different time or location has the same problem. If your main character is a silversmith in 1500's Spain, then you'd better know what it's like to be a silversmith in 1500's Spain.

So I decided to write in the (more or less) present, about situations which don't require any specialized knowledge. I did that with my vignettes and with the other stories I've recently written. They're just stories about people (whom I hope are interesting) doing things (which I hope are interesting).

About Jeremy:
I live on Long Island with my wife Abby and two children. By day, I am in the computer programming field, and in the evening, I squeeze my brain, hoping that something interesting will pop out.

You can read some of my things on my blog site at http://warach.com. One of the vignettes I happen to like is "Frost", which can be found at http://bit.ly/cjjVd0

Thank you for reading this edition of Fresh Voices. Feel free to follow the Fresh Voices list on Twitter or nominate yourself or another author as a Fresh Voice.